With a passion for the common pencil that began in early childhood, Channing looks upon drawing as an attempt to infiltrate the inexplicable, touching upon a force that cannot be understood, but can be perceived. MOVINGLINE is the outcome of an eight year exploration of the science and humanity of movement. Within the pursuit of motion, her art has evolved from renditions of crashing waves, birds in flight and racing horses, to dancers and musicians performing and complex portrayals of the human face. Organic and surprising, Channing's drawings are unforgettable for the power of their line, the drama of their black and white compositions, and the stunning innovation with which they are rendered.